Thursday 18 December 2014

Mise En Scene in TV Dramas

Decor - allows the audience to make a judgement on social class and personality.

Lighting - 
  • High key lighting - everything looks bright with little to no shadow at all. High key lighting has little dramatic effect, and is often used in a scene with no tension or to attract positive connotations to a character or situation.
  • Low key lighting - often used in tense or negative scenes. It comprises of a lighting pattern that has both light and dark areas in the frame. 
Costume - The purpose of costume is to dress an actor according to their character. Eg Lawyers will wear suits and nurses wear uniforms. 

Clothing is also used to establish someone's hierarchic level or attach a stereotype to them Eg Kings and Queens wear crowns.

Costume is also used to emphasise a personality trait. For instance a woman wearing leopard print may be characterised as a predator.

Location - 
  • Soap Operas like Coronation Street are based in communities.
  • Young Adult tv shows are mainly based in schools or domesticated settings. 
Body Language -
  • Appearance - how the character appears in the role - large, small, the right size. Costume and makeup can help an actor become a character. 
Staging position - 
  • Full front (facing the camera) : the position with the most intimacy. The character is looking in the direction of the audience. 
  • Quarter Turn:  the favoured position of most filmmakers. This position offers a high degree of intimacy but with less emotional involvement than the full front position.
  • Profile (looking of the camera left or right): More remote than the three quarter turn, the character in profile seems unaware that they are being observed, lost in their own thought. 
  • Back to camera: The most anonymous of all positions. The position is often used to suggest a characters alienation from the world. When a character has his or hers back to the audience, we can only guess what is taking place internally, conveying a sense of concealment or mystery. 
Character proxemics 

  • Intimate distances - Skin contact to about eighteen inches away. This is the distance of physical involvement - of love, comfort, and tenderness between individuals. 
  • Personal Distances - the personal distance ranges roughly from eighteen inches away to about four feet away. These distances tend to be reserved for friends and acquaintances. Personal distances preserve the privacy between individuals, yet these ranges don't necessarily suggest exclusion, as intimate distances often do. 
  • Social Distances - from about four to twelve feet. These distances are usually reserved for impersonal business and casual social gatherings. Its a friendly range in most cases, yet somewhat more formal than a personal distance. 
  • Public Distances - the public distance extends from twelve feet to about twenty five feet or more. This range needs to be formal rather than detached. 
Character Placement 

  • The nearer the top of the frame can suggest ideas dealing with power, authority and aspiration.
  • The ideas near the bottom of the frame tend to suggest meanings opposite from the top: subservience, vulnerability and powerlessness. 
  • The left and right edges of the frame lead to suggest insignificance because these are the areas farthest removed from the centre of the scene. 

Thursday 20 November 2014

Film sequence

 Taken - Old home video footage style of filter has been used to film. The footage has been made to look jumpy and blurry and also like a hand held camera has been used to film.
There are quick cuts between the shots.

Castaway - Cuts from close up to ong shots. Close-ups of protagonists face are used to establish the reaction that he had to his surroundings.

The Forgotten - cuts to different camera shots smoothly. The camera has been made to explore the setting in a birds eye point of view way.

Flight plan - Flashing images in the title sequence. The text is faded and jumps as it appears on the screen.

Gone Girl - light flickers on and off. Shots cut from one to the other smoothly.

Devils Knot - Text shows up on a black screen while sound plays in the background. This fades in and out between shots of footage. A filter has been used to make the setting fit with the 90s era.

Wednesday 19 November 2014

complaint

I would like to submit a complaint in regards to the episode of Eastenders that was on BBC 1 last night at 8pm.

I understand that the rape scene that I am complaining about was taken seriously and treated sensitively, and it was portrayed in a vague way rather than being explicit. However, it was not a comfortable conversation to have with my daughter, aged eleven, to discuss why the lady was crying when the man was kissing her. This episode should not have been aired before 9pm and I think that the episode and the BBC need to be investigated closely to clarify if broadcasting this episode before the watershed was appropriate or not.

Yours sincerely

Madeleine Blair

Digital production


Wednesday 5 November 2014

Legal and Ethical issues

As part of my research for the production of my online series, I need to be aware of rules and regulations set by Ofcom, as my teen drama will be aired as a pre-watershed show. Ofcom describe themselves as the 'Independent regulator and competition authority for the UK communications industry', this means that Ofcom's purpose is to protect cizitens from innapropriate or upsetting content or from scams, they function under the 'Communications Act 2003'. For the purpose of my product, I am ensuring that I pay close attention to the page on their website titled 'Protecting The Under Eighteens.'

In the rules and regulations that Ofcom have set to protect people under the age of eighteen, the page states three standard regulations that producers are to follow when producing pre-watershed content. These state that ; 'Material that might seriously impair the physical, mental or moral development of people under eighteen must not be broadcast', 'broadcasters must take all reasonable steps to protect people under eighteen' and 'Children must also be protected by appropriate scheduling from material that is unsuitable for them.' Rules and regulations set by Ofcom also state that the use of drugs, alcohol or sexual content is supposed to be avoided at all costs and if it is a feature in a pre-watershed television programme, it has to be for some form of educational reason
The brief that I am following states that my target demographics are 15-35 year old and therefore I have taken these regulations into consideration when discussing the content and natrrative of the opening two minutes of my drama to make sure that the content will be appealing to an adult and a person aged 15. The usual broadcast time for a programme which is meant to appeal to my demographics is anywhere between 5pm and 9pm, as after 9pm is post-watershed.

As the narrative for the teen drama that I am filming is about two young people being kidnapped, I need to follow the rules and regulations set by Ofcom in regards to violence so that I can be sure that the content of my product is not offensive or distressing to my younger target demographic. On the ofcom website, there are many regulations regarding violence in a pre-watershed show, such as: 'Violence, its after-effects and descriptions of violence, whether verbal or physical, must be appropriately limited in programmes broadcast before the watershed or when children are particularly likely to be listening and must also be justified by the context'
After researching the purpose of Ofcom and the rules and regulations regarding pre-watershed television shows, I am now aware of what type of content is and is not appropriate for my target demographics and also why I must be careful what content I put into my product.


Job Advert

Female Lead Acting Role

Actress needed to play a 17 year old girl in a new online series.
Open auditions will be held at the Lighthouse in Poole on the 7th December 2014 and at the Poole and Bournemouth college on the 10th December 2014.

For more information call 07788157027.

Monday 27 October 2014

15 page thing

Ofcom
As part of my research for the production of my two minute opening for my online teen drama series, I need to be aware of rules and regulations set by Ofcom. This is because my teen drama will be aired as a pre-watershed online show that will be somewhat accessible to a younger audience for the content of the TV show. Ofcom describe themselves as the 'Independent regulator and competition authority for the UK communications industry', this means that Ofcom's purpose is to protect citizens from inappropriate or upsetting content or from scams, and they function under the 'Communications Act 2003'. For the purpose of my product, I am ensuring that I pay close attention to the page on their website titled 'Protecting the under Eighteens.'
In the rules and regulations that Ofcom have set to protect people under the age of eighteen, the page states three standard regulations that producers are to follow when producing pre-watershed content. These state that ; 'Material that might seriously impair the physical, mental or moral development of people under eighteen must not be broadcast', 'broadcasters must take all reasonable steps to protect people under eighteen' and 'Children must also be protected by appropriate scheduling from material that is unsuitable for them.' Rules and regulations set by Ofcom also state that the use of drugs, alcohol or sexual content is supposed to be avoided at all costs and if it is a feature in a pre-watershed television programme, it has to be for some form of educational reason
I have decided that the target demographic for my show is 15-35 year old and therefore I have taken the regulations for making content appropriate for under-18s into consideration when discussing the content and narrative of my drama to make sure that the content will be appealing to an adult and appropriate for teenagers aged 15 to 18. The usual broadcast time for a programme which is meant to appeal to my demographics is anywhere between 5pm and 9pm, as after 9pm is post-watershed.
As the narrative for the teen drama that I am filming the opening two minutes for is about two young people being kidnapped, I need to follow the rules and regulations set by Ofcom in regards to violence so that I can be sure that the content of my product is not offensive or distressing to my younger target demographic. On the Ofcom website, there are many regulations regarding violence in a pre-watershed show, such as: 'Violence, its after-effects and descriptions of violence, whether verbal or physical, must be appropriately limited in programmes broadcast before the watershed or when children are particularly likely to be listening and must also be justified by the context.'
Something that I need to consider when creating my online series is that a younger audience will be able to easily access and view the content unless I put an age regulating system into place. Other websites, such as BBC iPlayer and ITV Player, have check boxes that will pop up on the page when somebody is about to watch a show that may be considered to have inappropriate content for under-18s. The issues of this method of regulation is that somebody could simply select an option such as ‘Yes, I am over 18’ so that they can view the show. Parents can also set up a password system on these websites so that the content is only accessible to the people who know the password, this is a more effective way of making sure that children are not exposed to harmful content.  
After researching the purpose of Ofcom and the rules and regulations regarding pre-watershed television shows, I am now aware of what type of content is and is not appropriate for my target demographics and also the consequences of why I should be careful in regards to content.















Schedule
Week 1 Given brief. Brainstorm ideas. Research into existing thrillers to begin to establish an initial house-style and content. Pitch my idea to an audience and collate my feedback to adapt my idea.
Week 2 - Research into audience with surveys and further research of different thriller series including fan sites, user generated content, idents and teaser videos.
Week 3 – Write the script. Create storyboards and project mock-ups for print and web.
Week 4 – Make sure that all of the cast is established and that they have a copy of the script. Make arrangements for a filming location. Make a project schedule, prop list and equipment list.
Week 5 – Create a more detailed draft for all of the products including mock-ups for print and web and also storyboards – show that a house style has been established. Analyse amendments and improvements that I have made and why. Make arrangements of transport to and from the location.
Week 6 – Begin shooting film. Take set photos. Review footage to make sure that everything is as it should be.
Week 7 – Re-film any clips that needed amending and film any remaining footage that needs to be filmed.
Week 8 – Begin to edit the video clips and put them together to create the product.
Week 9 – Go through the images that were take on set and decide which ones are right for the magazine. Interview members of the cast about their experience. Review this content and begin to produce the magazine article. Continue editing film.
Week 10 – Use the images from the set shoot to begin putting together the website. Make sure that the content is relevant and somewhat similar between the products so that effective synergy is created.
Week 11 – Finish editing film.
Week 12 – Put all of the written, visual and interactive content onto the website. Continue putting the magazine together.
Week 13 – Finish project.
Week 14 – Begin writing evaluation of all three products.
Week 15 – Complete Evaluation.






















Finances/Equipment
Costumes/Appearance
For protagonist
·         Dress £30
·         Tights £2
·         Shoes £20
·         Makeup £20
Boy with bag on head
·         Jeans £40
·         Jumper £20
·         Trainers £45
·         Bag for head £5
Background people
·         Party-wear for all background people (10 people) £200
Equipment
·         2 X Nikon D3200 SLR Cameras £400 each – 1 for filming and 1 for photography.
·         Go Pro Hero 4 camera £290 – for hand held filming
·         2 x tripod £20 each
Salaries
·         Videographer £500 per day (3 days of filming.)
·         Photographer £300 per day (3 days of photography.)
·         Main character £400 per day (4 days inc. interview.)
·         Other characters £50 (2 hours of filming.)
Other
·         Fees for main location £50 for a day. Filmed over 2 days.
·         Transport for 4 people to main location £12 per day. Filmed over 2 days.
·         Food and drink for party scene £20
·         Fees for transport of 14 people to party scene £20 for taxis
Overall budget: £5501
Location
The location that we used to film in was an unused middle school, which originally built to be a hospital. I had enquired about our use of the building from Dorset County Council, who were happy to rent the space to us over two days. This building has been stripped of the majority of the fittings and furniture, meaning that there was a wide empty space to use which was a perfect use of mise en scene for making the protagonist seem small in such a large area. The most effective space used in our filming was the staircase because the lighting was darker than the rest of the building and this setting was used to film the most effective scene where the most tension was created. We took advantage of the higher level of the staircase and used high angle handheld shots to make the protagonist seem small and vulnerable.
As part of my pre-production planning for my two minute opening sequence, I needed to take photographs of possible set locations for my product.

I want my location to be a big building with empty rooms and long corridors so that the space appears large and daunting for the protagonist. The location needs to be an effective use of mise en scene and by using the most appropriate location, it will suit the genre and narrative of my product.

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUSoW8xUCMwBrV-8UOtimJjb8Qs9td9ippoxsp8mHqC8-jQK5Y5zMFGPDyBR3qowHYnvm_FtpZy46Spw1jb4Xpywicrw5lxwreR5VOF9GhyBFJffAKNAmfVLoAMMtaF6a4MipQGLJApS0e/s1600/DSC_0015.JPG

By using settings like large and long corridors, as well as suitable camera angles, I hope to be able to present the protagonist to be vulnerable as she explores the building in my two minute sequence. 
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzxkH2hvG3wW4Ps6_gYtiPw11t2Y-8uDhgcg5-djK4miLTK8z9Bzuv8GqmYEoys-6bJAOPoS3_EwYmeegI32zoYEOm9AS07tfDA5hiEf-osPL65-m7jw643EK5O0wz17wxxWg0llTSZYdn/s1600/DSC_0014.JPG

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigioTb6ran0yH64K3uRydSSkYHDQVlErCfncefC-uhTgvlLq_ORjb_og1LG7R6VUOpc_WuTw69j87Q__6d5qUp1bptv4yVks7taL8iJYxdB7wDEuH9ldBmMZxPZUAwrV0MYRe-r7hyphenhyphenP7ac/s1600/DSC_0012.JPG

Stair cases are another setting that can be used to make a character look vulnerable and to make a setting appear more daunting than it is in real life. I will need to use appropriate camera angles and also may need to use the camera handheld rather than on a tripod to create point of view shots of the protagonist and also as if somebody is watching her from the top of the stairs. Doing this will create more suspense and therefore link to the Thriller genre.
















Script

Scene 1

Alyssa has woken up in an empty room and she appears disorientated and out of place as if she didn’t know where she was. There is non-diegetic eerie sound effects.

A flashback. There is diegetic music from a party of a group of teenagers. The clip shows Alyssa dancing and there are also point of view shots of girls taking shots of alcohol.

Alyssa runs to the window and tries to open it, then manically turns and runs to the door and lets herself out.

Scene 2

Alyssa is walking slowly down a corridor. There is non-diegetic eerie sound effects.

She stops at the bottom of a staircase and looks up before making her way up the stairs.

When she is walking up the stairs, she is looking at pieces of paper that are stuck to the wall.

The point of view changes to a point of view shot from the top of the stairs as if somebody is watching her.

Diegetic sound of a door slamming spooks Alyssa.

Alyssa: Hello?
*Pause*
Alyssa: Who’s there?

She carries on walking up the stairs and opens the door at the top.

Scene 3

She closes the door behind herself and looks around for somewhere to go. Non-Diegetic eerie sound effect.

Alyssa walks down the corridor and towards another door.

The camera shot switches to a point of view shot of somebody watching Alyssa from the window of the door.

Change of camera shot again, long shot establishing the setting.
Alyssa walks through the door.

She looks around for a moment and then goes to another door and opens it.

When she opens the door she gasps when she is faced with somebody tied to a chair with a bag over their head.

The non-diegetic sound becomes more dramatic and the diegetic sound is Alyssa screaming.

END.





























Research

Questionnaire
I asked fifteen people five different questions in regards to how effective my mock-up's for my website are. These questions were:

  1. Do you think that the colour scheme of my website is appropriate for the Crime Thriller genre?

 2. Do you enjoy being part of online communities? (Speaking to other people via forums, submitting user generated content, and viewing fan sites.)

 3. Is the narrative of the TV series made clear in the 'About' page of my draft?

 4. Does the website layout look easy to use and navigate around based on my draft?

 5. Are there any other features that you would like to see on my website?

Feedback that I received made it clear to me that rather than having such a small audience age range of 15-25, I could infact broaden this to people aged up to 35 years old. This being because I asked several people aged between 24 and 34 and their feedback was positive towards my proposal.

From my questionnaire, I have concluded that 60% of the people I asked enjoyed being part of online communities and interacting online by speaking to other people on forums, viewing fan sites and submitting user generated content like fan art and fan fictions online.

I asked what features that people would like to see on my website and the responses that I received included more colour, information on cast and crew, more detail of narrative, more genre appropriate and a use of more images throughout my website.

I don't think that the colour scheme of my product is something that I would change because I hope to have a textured background to give a crumpled paper effect.

An issue that I had when asking people to take my questionnaire was that they weren't willing to do so the majority of the time. I think that this is because they think that it will take a lot of time to do.

Overall, I will take the feedback that I received from my research and apply it to the final production of my website, film and print projects.










































Analysing an opening sequence

Lost
As part of the research towards the production for my film which I will work towards producing, I have chosen to analyse the opening two minutes from the Pilot episode of the television series ‘Lost’. Although the series is not necessarily a Teen Drama like the product that I hope to produce, it is a Thriller. The episode uses many different techniques to show disorientation and isolation in the point of view of the character that it is concentrating on, making the audience very aware of the situation, too. I also chose to analyse the Pilot episode of ‘Lost’ as the mise en scene has been considered very carefully in terms of establishing the situation that the character is faced with and also focusing on the surroundings from his point of view.
The series begins on a somewhat different structure in comparison to a stereotypical storyline. Todorov is a theorist who said that a typical storyline begins with equilibrium and then some sort of disequilibrium occurs to disrupt the peace. However, in the Pilot episode from the series ‘Lost’, the opening two minutes introduce the character to have already been faced with some form of disequilibrium. I can tell that some sort of disaster has occurred as the man is lying on the ground in the middle of a jungle with cuts on his face. The non-diegetic sound used also creates a sense of tension or disorientation to represent how the character is feeling, this is effective because it follows the Enigma codes by drawing the interest of the audience in to continue watching and find out what has happened to the man.
Representation of the character in the clip has been thought of very carefully, for example, the man has been presented as a business man. I get this impression as he is wearing stereotypical business man attire; shirt and tie. However, he is covered in cuts and laying on the ground of what appears to be a jungle, which will make the audience question why he is there and how he got there, creating another enigma code. The way in which someone would interpret the scenario would most likely be in a reflective point of view, as it is easy to realize that something out of the ordinary has occurred based on the representation of the character and his surroundings. There are many connotations that I can make based on the features of the opening scene, for example the jungle setting links with the idea of a forest type location, a stereotypical setting used to disorientate a character as there is not much sense of direction. Also, the shirt and tie shows connotations of authority and power in terms of a workplace, a businessman is usually someone who is composed and in control, but when faced with a situation like he is in, the character has been stripped of his control.
The setting of the scene has been represented very well using different camera angles, diegetic and non-diegetic sounds and lighting affects to show the disorientation of the character based on his surroundings. For example, a close up shot of the character has then been used just before the camera zooms out and rotates to establish the setting and also emphasise that the episode may be very disorientating. Also, lighting used has been thought of carefully as the setting is in a jungle-type location and therefore the face of the man is patched with shadows from the leaves of the bamboo trees surrounding him. However, the lighting in the scene when the camera angle becomes a bird’s eye view changes so that most of the light is on the man, he is also wearing a white shirt which highlights him more in comparison to his surroundings. And finally, non-diegetic sound has been used to create a shock as the eye opens all of a sudden. Both non-diegetic and diegetic sound is then used to create curiosity in the establishing shot from the man’s point of view looking up through the trees as he is lying on the ground.
There are many connotations that I can make based on the features of the opening scene, for example the jungle setting links with the idea of a forest type location, a stereotypical setting used to disorientate a character as there is not much sense of direction.
From my analysis of the opening two minutes of the pilot episode from the series ‘Lost’, I have learned how the directors intentionally used representation, the setting and different affects to create an engaging narrative for an audience to follow and interpret how the character has been made to feel disorientated and scared. This will help me in the production towards my product because I can use examples from this clip in the journey to my completed product to create a disorientating setting for the character.









Swot Analysis
Strengths 

  • Online communities - web 1.0/2.0 - interactive.
  • A website can be easily updated.
  • Websites can be accessed by the audience by different platforms (computer, phone and tablet.)
  • By using skills that I have, I can make a website that is both effective and fitting to the genre which will create an appealing mise en scene.
  • Online promotion can be easier than other types of promotion.
  • Information about the show and the fan site where UGC can be uploaded are in the same place. Keeps the whole website interactive.
Weaknesses 
  • Constraint - Censorship - how I will censor content so that it will not be accessed by younger viewers who it would not be appropriate for.
  • Because the show is on its own independent website rather than YouTube, it will have a smaller audience than it would if it were directly on YouTube.
  • Limitation - Making sure that I have the correct equipment and that I have skills in HTML and coding to enhance my websites functionality.
Opportunity 
  • Creating something that young people will like and talk about - the market of online communities is huge.
  • Being able to create promotional products, like the magazine, across different platforms. This also widens the profit that will be made.
Threat
  • Content from the website could be taken, distributed and abused - the tragedy of the commons. 
  • Finding the most effective way of promotion/advertisement could be difficult. 
  • People's interests are always changing - when will online communities no longer be part of online popular culture. 


Copyright Issues

Some things that I have needed to consider when creating my products is copyright issues. This includes intertextuality and the use of brand names, sound and brand identity.

In my research, I have mentioned the television series Lost and I analysed the opening two minutes of the pilot episode. However, I needed to remember that my analysis was to be written with no screen shots or video clips used in my document because I do not own the video clips.

Something that I will need to do for my film is use sounds that I do not have the right to use. If I had wished to use sounds from sources where there may be a copyright issue, I would need to seek permission from the owner to use it.

When carrying out my research into print and web products, I took ideas from the house style but I did not want to copy the products completely. From the lost fanzine and fan website, I had decided on a choice of font. However, the overall house style is different because I have used a white, red and black colour scheme.























Contingency Plan

For the production of my film, I have needed to consider how I will solve issues that may occur in the process of filming and post production.

If for some reason, a member of cast couldn’t make it to set on the day of filming we would need to make sure that we have a member of crew who is willing to step in, or we would need to get an extra person to take up the role last minute. We would take the names and numbers of these people during auditions.

If somebody is injured during filming we will make sure that we have somebody who can drive on set and somebody with suitable medical and first aid training, along with a first aid kit, to treat any minor injuries.

If somebody in the group cannot film everybody in the production team has some form of experience with cameras. Therefore if Alice could not film, Beth would be able to take over filming and I could take over Photography.

If problems occur with equipment on the day we plan to check that all of the equipment is in working order before we leave to film. If any of the cameras appear to not work, we would need to either delay filming or only use one camera to film rather than two. Alternatively, we could use two cameras to film and then take set and cast photos afterwards by recreating the scenes.




















Risk Assessment

·         Trip hazard for the cast and crew – the wires from the equipment and also tripods. We will avoid people tripping and injuring themselves on this equipment by placing notices on set to be aware of trip hazards.
·         Slipping – there are slip hazards for the cast, especially when the protagonist is walking up the staircase as the surface is smooth and could be quite slippery. This will be avoided by making sure that the cast and crew take extra care when walking up and down the staircase.



































Talent Release Form

Talent Name: Lisa Howarth
Project Title: Elsewhere online Thriller series.

I give my consent for the use of all footage and photographs of myself to be used as property of Blair Entertainment and distributed on their websites and press releases for the project that I am involved in.

Location for filming Bovington Middle School, Dorset.
Dates for filming 5th November – 8th November

Producer Madeleine Blair

Signature

Parents signature (if under 18)